Pinenut(잣) makeolli in Gapyong and etceteras. The additions increase the nutritional effect by complementing makeolli which is a healthier drink than other alcoholic beverages. The variations in makeolli can be infinite by adding any healthy ingredients.
Makeolli variations
Some producers try differentiation in using original ingredients. The main material for ma
Identical red plastic
rain ponchos line the wall on pegs. He helps himself to one
and eases outside, making good his escape.
??
EXT. NURSING HOME - ESTABLISHING - MORNING
??
Nestled in a valley of wooded hills, a drizzly mist rolling
over the treetops.
??
Paul appears f.g., coming up the ridge in his borrowed
poncho. He looks back at the valley below, inhales deeply--
this is a man who loves his
nut pulled out the telephone.
The SWAT said hes got a gun
to somebodys head. If SWAT
goes in there, youre gonna
lose one person, possibly two.
You gotta let me go in there
and look around and make sure
everythings all right in there.
- I dont know.
- Sam, look at the guys rap sheet.
Theres no violence on there.
The guys never offed anybody.
Hey, look. Are you gonna let me go in
there or are we go
A school bus. TWO very buxom PROSTITUTES are being handcuffed by a plain clothes special agent, CHESTER DESMOND. Another AGENT has his gun to the spread eagled BUS DRIVERs head. The KIDS inside the bus are screaming. The phone inside Chester Desmonds car starts to ring. Desmond walks to the car.
INT. DESMONDS CAR - DAY
Desmond picks up the ringing phone.
DESMOND
Yes...
INTERCUT WITH:
COLE
COLE
Ch
SLEEPLESS IN SEATTLE
By Jeff Arch
Rewritten: Nora Ephron & Delia Ephron
May 10, 1992
FADE IN:
CLOSE ON SAM BALDWIN
A card: Chicago.
Hes in his thirties. His neck is pinched into a crisp
dress shirt and tie. His expression is vacant, faraway.
A breeze blows but he doesnt react to it. In the
distance the architecture of the Chicago skyline.
SAM
Mommy got sick and it happened
just like that an
THE SAME SCENE; THE SAME SHOTS. Suddenly time RUSHES FORWARD. Als voice squeaks, the action accellerates.
LEADER (VO)
Run past this stuff.
THE VISUALS SPEED EVEN FASTER. SOMEBODY is running the tapes of
the EXPERIMENT right before the attack...FAST FORWARD.
INTRUDER
You wont believe this.
INT. LAB - The INTRUDERS SLOW the tape and watch with interest.
CU.- THE BEAKER on the pedestal surrounded by
A beautiful golden sun is setting. The sky is on fire. The CAMERA starts to move downwards. A large neon sign rises into shot. It rests on top of a skyscraper and fills the frame. The building is neither past nor future in design but a bit of both.
Slowly we pan downwards revealing the city that spreads below... A glittering conglomeration of elevated transport tubes, smaller square buildings wh
Nancy Drew Script
Who are you?
Hello, Im Nancy Drew.
Its nice to meet you.
May I ask who you are?
- Guess.
- All right.
Im guessing you two are working
with Lawrence McNabb...
...the locksmith,
he gives you the keys...
...and youre responsible
for the recent burglaries.
However, you should know
the DA is only interested in McNabb...
You two could make a deal with him.
- And that Charlie the secur
We sweep slowly across an endless tapestry of stars. Finally she comes into view: The U.S.S. AURIGA. A massive research vessel that sits majestically just beyond Plutos orbit.
WE TRACK ALONG the side of the ship, and...
INT. AURIGA
... along the silent, empty corridors, coming at last to a door with two guards standing rigid in front of it. Full armour, powerful shockrifles, expressions empty and
The mule and the boy finally reach a camp. A few tents dwarfed by a huge temple door jutting out of the sand. The camp is deserted except for some kids by the temple entrance holding large mirrors, reflecting light into the temple.
Omar leaves his mule in the shade, seizes two goatskins and slips inside the temple.
3 INT. TEMPLE - DAY
Omar makes his way uneasily down a pillared corridor that open